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ÈTTHCAF III 2026
This multidisciplinary creation in shades of blue explores the notions of construction and identity over time.
It's a self-portrait of a facet of myself at a particular age or in a specific context, here at 10yo, based on a picture (which wasn’t taken specifically for this creation, as selfies are something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 180€
It's a self-portrait of a facet of myself at a particular age or in a specific context, here at 10yo, based on a picture (which wasn’t taken specifically for this creation, as selfies are something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 180€

ÈTTHCAF II 2026
This multidisciplinary creation in shades of blue explores the notions of construction and identity over time.
It's a self-portrait of a facet of myself at a particular age or in a specific context, here very performative, based on a selfie (which wasn’t taken specifically for this creation, as it’s something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 157€
It's a self-portrait of a facet of myself at a particular age or in a specific context, here very performative, based on a selfie (which wasn’t taken specifically for this creation, as it’s something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 157€

ÈTTHCAF I 2026
This multidisciplinary creation in shades of blue explores the notions of construction and identity over time.
It's a self-portrait of a facet of myself at a particular age or in a specific context, here as everyday and natural as possible, based on a selfie (which wasn’t taken specifically for this creation, as it’s something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 135€
It's a self-portrait of a facet of myself at a particular age or in a specific context, here as everyday and natural as possible, based on a selfie (which wasn’t taken specifically for this creation, as it’s something we all have in abundance on our phones). Furthermore, for practical reasons, it's easier for me to use myself as the subject, but also because I can only speak intimately about myself and my own experience, while still hoping that people can identify with it, in my opinion, the more personal you are, the more universal you become.
My intention with this work is to show the diversity of every person. Indeed, a human being is never physically exactly the same while still being itself, each of us being composed of a physical appearance that varies over different time scales. Through this series, I'm therefore showing here what was, what is lost, and what remains of my personal appearance at the moment the photograph was taken, that is my construction and evolution over a given period, without erasing but rather showing the presence of the past in the present, once the works are brought together.
Together, they give birth to a true image of me, while being objectively non-existent, showing the universal truth of my appearance in all its subjectivity.
Available for 135€

PUOGARD 2024
Made for the FURTIF magazine n°1, by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 114€
Available for 114€

OGIDHNÈROPS 2024
Made for the FURTIF magazine n°1, by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 120€
Available for 120€

ENRÉTHNALÈDOPOLPYD 2024
Made for the FURTIF magazine n°1, by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 125€
Available for 125€

EGHNYL 2024
Made for the FURTIF magazine n°1, by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 138€
Available for 138€

MAIL ART 2024
Made with acrylic markers, watercolor and pens for a mail art open call

YKNUF 2024
Made with acrylic paint, acrylic markers, alcohol markers and watercolor pencils

RESTHNOMLYÇOPH 2022
Made by placing a sheet on a painting who wasn't dry and by gluing printed fossils on

MSYNAHCÈM 2021
Made with acrylic paint and acrylic markers from observation of the mechanism of an old clock

ÇORK 2021
Made by gluing paper kraft and reworked then with acrylic markers from observation of an ornament in wood

NYDNORKHAM 2021
Made with paint and indian ink, inspired by magic cards and the president of the french republic

ÇENOG 2021
Made by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 129€
Available for 129€

REDRYPHS 2021
Made by placing a sheet on a painting who wasn't dry and reworked then with indian ink, inspired by Magic cards
Available for 150€
Available for 150€

NOGAHCSIO 2021
Made by gluing patterns and reworked then with black acrylicpaint

ÇYGAMPUOZAHC 2021
Made by gluing patterns and reworked then with acrylic paint, inspired by Magic cards

SYRUOPHUAHC I 2020
Made with watercolor, felt pens, collage and colored pencils inspired from my idea of beauty and by a work of Philippe de Champaigne
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