I was born on January 5, 2004, in Rouen and I currently live in the Île-de-France region for my studies.

After obtaining my high school diploma I've done the first year APA (Arts, Landscape, Architecture), created by the École Nationale Supérieure of Arts of Paris-Cergy, the École Nationale Supérieure of Landscape of Versailles, and the École Nationale Supérieure of Architecture of Versailles, with a strong desire for experimentation.
This was especially shown, with extra-curricular artistic practice workshops in which I participated during five years (at the Maison des Arts Solange Baudoux in Évreux with Emmanuel André and Emilie Gomis-Thomas), internships (at the Maison des Arts Solange Baudoux in Évreux and with Frédéric Bihel), chosing the arts option as well as the arts specialization in high school (with Cécile Sagnier), as well as being published in a magazine, designing posters, taking part in competitions and exhibitions in France and Switzerland (resume available on request for more details).
Painting, drawing, collage, montage, photography, writing, video, volume, or even animation, all on various media, already made up my multidisciplinary practice. All these experiences only convinced me more each time and fueled my desire to make my artistic practice my job thus I naturally chose to join the École Nationale Supérieure of Arts of Paris-Cergy for my second year of bachelor’s degree. I’m now in the third year of the DNA (National Arts Diploma) since September 2025.

 
My work is part of an approach that I like to call « deconstruct to better reconstruct » due to the materials and references I accumulate which belong to my personnal collection, whether physical or digital (basically, I take little bits of things to put them together). 
My productions most often depict strange hybrid beings as well as (self)portraits that are variably realistic. Moreover, they often question physical appearance regarding time and also more recently, they speak of illness, griefs and death.
 
I mostly start my artworks with sketches and tests in my sketchbook, saturated with stains, patterns, stencils, calculations, experiments, words, templates, reflections, characters, observational drawings, prospectus, patterns, ... in disorder, held together with staples, scotch, and irregular sewing. I like wobbly and a little defective things, unconventional and weird beings, hence my love of monsters, and it shows in the personality of my sketchbook.
 
I am inspired by video games, books, films, cartoons, music, wildlife, card games, as well as various artists such as Damien Deroubaix, Emil Ferris, David Hockney, Michel Nedjar, Tim Burton, Alberto Giacometti, Jean Fautrier, Maurice Sendak, Piet Mondrian, Arman, Jackson Pollock, William Kentridge, Otto Dix, Barbara Kruger, Roland Topor, Erbossyn Meldibekov, Art Spiegelman or else Tim Noble and Sue Webster.​